The Idea of West

August 11-December 30,2018,
Third Floor Galleries

  • Will Wilson
    Joe D. Horse Capture, Citizen of the A’aninin Indian Tribe of Montana, Associate Curator of Native American Art, Minneapolis Institute of Art,
    2012,
    archival pigment print from wet plate collodion scan.
    Critical Indigenous Photographic Exchange, New Mexico Museum of Art, Santa Fe Indian Market, 2012.
    Courtesy of Will Wilson.

  • Border Monument No. 1, from “Monuments: 276 Views of the United States - Mexico Border,”
    David Taylor,
    2016,
    archival inkjet print on 310 gsm; canson infinity rag photographique paper.
    Gift of Marleen De Bode Olivié and Marc Olivié.
    G.2017.66.18.1

  • Cowboy #9, Texas Hollywood (Almeria, Spain)
    Jeremiah Ariaz
    2012, digital C-print.
    Courtesy of Jeremiah Ariaz.

  • aflac

The Idea of West redefines traditional views of the American West, drawing connections between the work of three contemporary photographers and the acclaimed work of Ansel Adams. The exhibition prompts viewers to reconsider their preconceptions of Western landscapes beyond the Mississippi River and the people who live in the region today.

Jeremiah Ariaz grew up in Kansas, a setting that fueled his fascination with the West as both a location and a state of mind. Through several photographic series, he has explored contradictions in factual and fictional depictions of the region, as well as the tension between the Western United States and the West that has been mythologized in the European imagination. In the Almeria region of southern Spain, Ariaz captured three cinema studios that served as the backdrop for Sergio Leone’s Dollars trilogy and other Spaghetti Westerns. He later traveled to Germany to examine wildly popular re-enactments of Wild West shows based on the stories of German writer Karl May. Together the photographs create a landscape where fact and fantasy merge and specific locations become hard to pinpoint.

David Taylor received a 2008 Guggenheim fellowship to document all 276 obelisks that demarcate the U.S.-Mexico border west of El Paso/Juarez. Most were erected in the 1890s. What sounds like a dry conceptual project resulted in dramatic images that record the differences in the monuments, the changing landscape from east to west, and the implicit tensions created by borders. The entire boxed set of 276 border monument pictures was recently gifted to the Museum, and this project marks their Columbus debut. With Americans debating possible construction of a larger wall between the U.S. and Mexico, these images could not be more timely.

Will Wilson was born in San Francisco and raised in the Navajo Nation. His work combines 19th-century processes with digital technology to stimulate dialogue around “photographic exchange” as it pertains to Native Americans. Through a series of ongoing performances—under the general title Critical Indigenous Photograph Exchange (CIPX)—the artist engages his sitters in questions about identity, multiculturalism, and Americanness. Sitters keep the resulting tintype photograph, permitting Wilson to create a digital scan of the image to use for his own records and future artistic projects in exchange. This “photograph exchange” reflects the vibrancy of Native culture in contemporary portraits of Indians relocated to the West, helping to dispel some of the mythology surrounding this region and its inhabitants.

This exhibition is generously sponsored by

Oct
2
Tue
Adult Lecture
Oct 2 @ 12:00 pm – 1:00 pm

Explore themes within the Museum’s collection and exhibitions through engaging talks by local and regional history and arts professionals. Each program is free and open to the public.


October 2:  Emily Burns

In dialogue with the exhibitions Ansel Adams: The Masterworks and The Idea of West, this talk considers thematic intersections with appropriations of the American West as a flexible metaphor in Franco-American exchange in the late nineteenth and early twentieth centuries.

If you are interested in purchasing a $10 lunch, please contact the Education Dept. at edu@columbusmuseum.com by September 28.

Oct
25
Thu
The Idea of West Roundtable
Oct 25 @ 6:00 pm – 8:00 pm

Please join us as we engage with three esteemed contemporary photographers—David Taylor, Jeremiah Ariaz, and Will Wilson—who will discuss their projects on view at The Columbus Museum in the exhibition The Idea of West. Director of Curatorial Affairs Jonathan Frederick Walz and Curator of History Rebecca Bush will interview the artists, with time for questions from the public.

Nov
7
Wed
Adult Lecture
Nov 7 @ 12:00 pm – 1:00 pm

Open Range: The West and the American Imagination

Through an exploration of images of the American West drawn from paintings, photographs and cinema, Dr. McCoy will discuss the creation of the mythology of the West and its role in shaping American aspirations and character. What did the open range and endless possibility mean to Americans and what did it cost? Does the West still matter?

If you are interested in purchasing a $10 lunch, please contact the Education Dept. at edu@columbusmuseum.com by November 2.

Translate »