
Burning African Village Play Set with Big House and Lynching
2006
painted laser cut steel
22 parts, edition 20/20
Kara Walker
born Stockton, Calif. 1969
Museum purchase made possible by the Edward Swift Shorter Bequest Fund, the Bequest of Edward Swift Shorter by exchange, and Herbert Waide Hemphill, Jr. by exchange 2011.45
The Columbus Museum is proud to be among the first southeastern museum to acquire a significant work by Kara Walker. Born in California, Walker’s art professor father moved the family to Georgia when she was a teenager. She received her BFA from the Atlanta College of Art in 1991 and her MFA from the Rhode Island School of Design in 1994. She came to national prominence in 1997 when her work was included in the Biennial exhibition at the Whitney Museum of American Art. Walker uses the tradition of the cut-paper silhouette, popular in the 19th century, to explore issues of power, race, gender, and sexuality. The Museum’s acquisition of cut steel standing silhouette figures includes African huts along with stereotypical Civil War era imagery of the Old South: the “Big House” plantation mansion, willow trees, shackled slaves, Southern belles, and Confederate soldiers.
The piece is titled “Play Set,” and Walker wants the owner of the work to decide how to display the pieces, placing any number of the cut-outs in any position. With that in mind, the Museum will be collaborating with Columbus State University students to explore the works of Kara Walker, the history of silhouettes, and then work with museum staff to discuss and write label text the final display of “Play Set.”